Excerpts only只有片段 · the complete files were never uploaded完整檔案從來沒有被上傳
Listen at the seams. 在接縫處聽。
A piece is not auditioned by playing it. It is auditioned at its section boundaries, which the plan already knows — and the only question a listen can settle is the one no measurement will ever answer: did this render honour the plan it came from? 一首曲子不是靠從頭播到尾來試聽的。它是在段落接縫上試聽的，而那些位置 plan 早就知道 —— 而聽覺唯一能解決的問題，正是任何測量都答不了的那一個：這次 render 有沒有照它的 plan？
Loading the library…正在讀取 library…
What you are hearing你聽到的是什麼
Eight seconds straddling each boundary the plan names, so the ear hears what was left and what it arrived at. The comparison is the judgement; a boundary played on its own is only an impression.每一段跨在 plan 指定的接縫上八秒，讓耳朵同時聽到「離開的」和「抵達的」。那個比較才是判斷；單獨播一個轉折只會得到印象。
Why only excerpts為什麼只有片段
Whether these may be handed on as music is recorded as unknown for every piece, because neither provider's terms say. A person took a bounded decision on a bounded destination instead, and the build honours it by cutting the windows and uploading nothing else.「能不能當作音樂交出去」在每一首上都記成 unknown，因為兩家的條款都沒寫。取而代之的是有人對一個有界的目的地做了一個有界的決定，而 build 的做法是把窗口切出來、其他什麼都不上傳。
A listener's decision判斷屬於聆聽的人
The cards carry each recorded verdict. Only a listener with a name can supply one; a key-profile match cannot. Judging an eight-second excerpt is different from judging the whole render.卡片顯示每首已記錄的 verdict。只有留下名字的聆聽者能提供判斷；key profile 符合不能代替它。聽八秒片段與聽完整首，是不同的判斷。
The venue, six worlds場館，六個世界
Every constant here was read out of a score, not chosen. 這裡的每一個常數都是從一份總譜讀出來的，不是選出來的。
These eighteen plans are beds for a venue guide that plays its interface sounds in the key of whatever is behind them. A bed in the wrong key does not sound like a different mood; it makes every button in the room sound wrong. So the root, the mode, the tempo and the bar count are copied from that site's own score, and the length is arithmetic: bars × beats × 60 ÷ tempo. 這十八份 plan 是給一個場館導覽用的 bed，而那個網站的介面音效是用背後那張 bed 的調播的。調錯的 bed 不會聽起來像另一種情緒，它會讓整個房間裡每一顆按鈕都聽起來是錯的。所以主音、調式、速度和小節數都是從那個網站自己的總譜抄來的，長度則是算術：小節 × 拍 × 60 ÷ 速度。
Two surfaces, one plan兩個介面，同一份 plan
Each ribbon draws the plan on a time axis and every render of it beneath, on the same axis. The bar that stops where the plan stops came through an API; the bars that run off the end came from a product UI with no duration control.每一條 ribbon 把 plan 畫在時間軸上，下面是它的每一次 render，共用同一條軸。在 plan 停的地方停下來的那條，是透過 API 來的；跑出邊界的那些，來自一個沒有長度控制的產品介面。
What the measurement says測量說了什麼
Six API renders landed between 26 and 66 milliseconds over a length nobody stated in seconds. Twenty product-UI renders came back 2.05× to 6.10× long, median 4.44×. Both honour a stated tempo; only one honours a stated length.六次 API render 落在一個沒人用秒說出口的長度之上 26 到 66 毫秒之內。二十次產品介面 render 回來的長度是 2.05 倍到 6.10 倍，中位數 4.44 倍。兩邊都遵守寫出來的速度；只有一邊遵守寫出來的長度。
Read before it was paid for花錢之前先被讀過
Three independent reviews read these prompts before a credit was spent and found ten faults — a snare that would have become a drum kit, a bell strike in a world that forbids percussion, a reverb asked to be louder than its source. All ten were fixed first.在花掉任何一點額度之前，三份獨立審查讀過這些 prompt，找出十個毛病 —— 一個會變成整套鼓的小鼓、一個在禁止打擊的世界裡的敲鐘、一個被要求比音源還大聲的殘響。十個全部先改掉了。
Paper紙
default
The first room anyone stands in. Marimba, a sine bass with no attack, and a brushed texture that never lands a hit.任何人踏進來的第一個房間。木琴、完全沒有起音的正弦低音，還有一層永遠不落點的刷噪。
Wood木
harvest
No percussion at all. Its shaker was taken out deliberately: it was the one thing making a first-time visitor's world feel tappable.完全沒有打擊樂。它的沙鈴是被刻意拿掉的 —— 那是唯一會讓新訪客覺得「這個世界可以敲」的東西。
Signal訊號
precinct
The only world allowed a beat. A closed hi-hat on the offbeats, an even eighth-note bass, and a mallet figure that is forbidden to become a tune.唯一被允許有節拍的世界。反拍上的閉合 hi-hat、平均的八分音符低音，還有一個不准變成旋律的槌擊音型。
Air空氣
longgrass
No bass, no percussion, no melody, no pulse. Two reviews said the negative space had eaten the prompt, so one line was added to carry the root, the fifth and the lydian fourth — and nothing else.沒有低音、沒有打擊、沒有旋律、沒有脈動。兩份審查都說「負空間把 prompt 吃掉了」，所以加了一句話來承載主音、五度和利底亞的升四度 —— 只有這樣。
Ink墨
verdict
A felted upright piano, two notes at a time. Settled but harmonically suspended: a loop may not contain a cadence, because a cadence heard every forty seconds is an ending that never ends.打了呢氈的直立鋼琴，一次兩個音。安定但和聲懸著：loop 裡不能有終止式，因為每四十秒聽一次的終止式，是一個永遠不結束的結束。
Chip晶片
arcade
A powered cabinet heard across a quiet room. Its blip was deliberately taken off the beat grid on a reviewer's advice, which is why the estimator finds no pulse in two of its three renders — that is the plan working, not the model failing.隔著一個安靜房間聽到的通電機台。它的 blip 是照審查意見刻意移出節拍格的，所以三次 render 裡有兩次測不到脈動 —— 那是 plan 有效，不是模型失敗。
Every piece in the librarylibrary 裡的每一首
With the seven rights questions each one is still carrying.連同每一首身上還揹著的那七個權利問題。
Loading the library…正在讀取 library…