Excerpts only只有片段 · the complete files were never uploaded完整檔案從來沒有被上傳
Listen at the seams. 在接縫處聽。
A piece is not auditioned by playing it. It is auditioned at its section boundaries, which the plan already knows — and the only question a listen can settle is the one no measurement will ever answer: did this render honour the plan it came from? 一首曲子不是靠從頭播到尾來試聽的。它是在段落接縫上試聽的,而那些位置 plan 早就知道 —— 而聽覺唯一能解決的問題,正是任何測量都答不了的那一個:這次 render 有沒有照它的 plan?
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What you are hearing你聽到的是什麼
Eight seconds straddling each boundary the plan names, so the ear hears what was left and what it arrived at. The comparison is the judgement; a boundary played on its own is only an impression.每一段跨在 plan 指定的接縫上八秒,讓耳朵同時聽到「離開的」和「抵達的」。那個比較才是判斷;單獨播一個轉折只會得到印象。
Why only excerpts為什麼只有片段
Whether these may be handed on as music is recorded as unknown for every piece, because neither provider's terms say. A person took a bounded decision on a bounded destination instead, and the build honours it by cutting the windows and uploading nothing else.「能不能當作音樂交出去」在每一首上都記成 unknown,因為兩家的條款都沒寫。取而代之的是有人對一個有界的目的地做了一個有界的決定,而 build 的做法是把窗口切出來、其他什麼都不上傳。
Nobody has decided yet還沒有人判斷過
Every piece below is marked unheard, and that is the honest state rather than an oversight. The verdict field can only be filled in by a person with a name attached, and no code path here produces one.下面每一首都標著「尚未有人聽過」,那是誠實的狀態而不是疏漏。verdict 欄位只能由一個留下名字的人填上,這裡沒有任何程式路徑能產生它。
Every piece in the librarylibrary 裡的每一首
With the seven rights questions each one is still carrying.連同每一首身上還揹著的那七個權利問題。
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